According to a duo of photographers Bernd and Hilla Becher, the form of the industrial construction is determined only by its function. The designing logic of the architecture in the concentration camp Auschwitz was, that the forms of the buildings were absolutely subordinated to their function as instruments of the industrial genocide. So, this architecture is a pure realization of Louis Sullivans principle of the modern: â€žform follows functionâ€œ. In this context Zygmunt Bauman also pointed out that â€žthe modern civilization [...] certainly was not the only one, but was probably a necessary precondition for the Holocaustâ€œ (Zygmunt Bauman, Modernity and The Holocaust). The typological examination of the buildings and the objects in this photographic cycle should enable the spectator to compare rationalization methods in an architecture designed for efficient mass killing. To avoid the narrative character and to show the â€žthings as they areâ€ (Susan Sonntag), the images have been made within similar and constant lighting conditions. Scans of 4x5-inch-bw-negativs.
Tomasz Lewandowski is born 1978 in Nysa, Poland, now based in Halle (Saale), Germany, between 2010 and 2012 master course in photography at the Burg Giebichenstein University of Arts Halle, Germany, 2014 start of the ph.d. at the same University in the department of Design Studies, speciality: history of the architecture, since 2006 freelance photographer: commercial works (mainly in architecture), and free projects, publications in several architectural magazines in Europe, Asia and North America, art exhibitions in Berlin, Munich, Leipzig, Karlsruhe, SaarbrÃ¼cken, Halle (Saale) and Warsaw.