Charon's Lovin' It (So is Ray, too) presents a fine art-rooted, contemporary digital photographic image, an effort both stark, if not fully dramatic in nature; yet, simultaneously, a slyly ironic personal commentary upon, in short, the totality of equally-contemporary mass consumerism, foodstuffs and otherwise, as framed, carefully, within the guise of classical mythology and, no less, corporate indignity if not flat-out gross, full-fledged capitalist indifference. It's that serious.