Regina Šulskytės‘s series is titled "My Time", but it is evidently comprised of combinations of past and present photographs, which tell a personal story like frames flickering in the memory – monuments to individual moments carved in vast expanses of oblivion. When one employs them to mark the territory of one‘s life, landmarks emerge that guide one to the starting point of the self. This time Šulskytė‘s mother become such a landmark, imperceptibly passing from idyllic photographs tinted by the tradition of the past to the present, meeting herself at a different age, but unable to see or communicate with herself. The present seems to be a space crammed with different memories that never meet, yet they obscure the present inself. Then the remembering self is visualised by a landscape where memories come from incomprehensible constellations, while time is stripped of the usual parameters, becoming dense and layered, static. (Text by Agnė Narušytė, art critic).