The Homeplace


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The Homeplace is comfort. The place you can go back to no matter how many years have passed. It will always hold something familiar something safe.

  • Biography
    Sarah Hoskins is a Midwest based documentary photographer, currently her time is split between Chicago, Illinois and Lexington, Kentucky. Her work was part of Into Action groundbreaking social justice festival of art and ideas held in Los Angeles January 2018. Her photographs have been exhibited nationally and internationally and are in numerous permanent and private collections. Including The Archive of Documentary Arts at Duke University, which recently acquired 250 silver gelatin prints and Shepard Fairey's personal collection. Hoskins is the recipient of numerous grants and fellowships
  • Awards
    2017 IPA Awards Two Honorable Mentions Deeper Perspective 2016, 2015, 2014 Finalist Deeper Perspective 2016 and 2014 Finalist Critical Mass The summer of 2012 she was a resident of Yaddo in Saratoga Springs, New York Hoskins was profiled on NPR's Weekend Edition and NPR's Picture Show, which received an award from The White House News Photographers Association In 2009 she received funding for her Homeplace project from The National Trust for Historic Preservation's Alice Rosenwald Flexible Fund for Schools. Hoskins received her third Special Assistance Grant from the Illinois Arts Council in 2008. In 2007 she had received a grant from The John Anson Kittredge Educational Fund. The Ella Lyman Cabot Trust, which supports personally meaningful projects that can also benefit others, awarded her a grant in 2004.The same year she also received a grant from The Puffin Foundation. She received her second Honorable Mention from the Houston Center of Photography’s Her work was selected for Photography Now, 100 portfolios an international survey of photographers sponsored by Eastman Kodak. Hoskins was a 2003 recipient of the Illinois Arts Council Fellowship in Photography. Sarah was chosen to participate in Review Santa Fe in 2002. The Northwest Area Arts Council awarded Hoskins a scholarship in 2001 to help complete a documentary project at Staben House, a transitional housing facility for homeless women and children in Waukegan, Illinois. In 2000, she was one of three finalists for the Morrie Camhi Prize for under-recognized documentary photographers

Story

The Homeplace is comfort. The place you can go back to no matter how many years have passed. It will always hold something familiar something safe.

The sky passes in blurs, fleeting and fast moments. It began as I stood looking through a machine of glass and mirrors trying in an instant to capture all that was. I now feel the blur of lives that have left and I have lost. I am left with those static moments. Wishing those moments would move and bring me back to all that was.

I am strapped down and can’t move. I know I have something running through my veins, as the pain is less. The florescent lights overhead are all that I can see. They blur as I am wheeled quickly through the halls. I am the patient that they make way for. The captain of the medevac is still pushing me. Numbers are called out, stats of heart rate and blood pressure. What is my name? What is my birthday? Do I remember what happened? I feel the tears run down my cheeks. I don’t. I know my daughter is alive and safe. I know that the medevac team was like the cavalry coming to take me out of the small ill equipped and scary hospital that I was in. I have always been afraid of helicopters, today in my morphine haze I have never been so grateful to have been in one.

I am wheeled through the University of Kentucky's hospital in Lexington. I am brought into yet another emergency room I can still only look up. I see the eyes that are Derek’s, the same eyes his daddy had. He strokes my hair that is matted and covered in dried blood. His warm coal colored hand holds my cold pasty white one. The nurse says, “Only relatives are allowed in here how are you two related?” I hear the smile in Derek’s voice, “ It’s a long story”.


My project is a tribute to the residents of these hamlets, a salute to the elders who learned of slavery at their grandparent’s knees and endured the Jim Crow south. Who lived ‘separate but equal’ and saw the decades of milestones and their impacts, including desegregation, social segregation, and ultimately the election of Barack Obama. The residents did much more than endure and survive negative circumstances; they rose above them and thrived.


I feel Derek squeeze my hand, I breath shallow and painful breaths, but I breath. I realize that I am not done yet, that I am back home to The Homeplace and I am rewarded yet again.

After 16 years this project is still far from over, this selection of recent work is more about death and rebirth. These days I find myself going to more funerals then baptisms, but even in death those who have passed request being brought back home, buried on that Homeplace soil.

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