Spectral Fields explores nature as a site of residual light and memory, where time accumulates rather than disappears. Images originate as black-and-white medium-format film photographs, later layered into double or triple exposures and transformed through color and digital interventions that disrupt the monochrome surface. Shot on a vintage camera using expired film, the work folds images back into themselves, allowing multiple moments to coexist and reshaping perception as something fluid, unstable, and continually shifting.
