It seems, that everything has already been photographed. The value of images atomizes. So: What is the remaining significance of photography? What irritates at 1st glance - a maybe too fast classification in already seen - leads in the 2nd to an unsuccessful comparison with known images. What prevails? The inner search for references or the meditative character? The series plays on the one hand with visual expectations, on the other, it also show that the aesthetics of the atmospherical with visual metaphors is fundamentally thinkable and feasible. The seen remains as a beautiful mystery.