Suri tribe from West Omo Valley, Ethiopia


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  • Photographer
    Matilde Simas
  • Jury Top 5 Selection

    I-Chan Park portrait of body art You can find colorful design elements of lines, shapes, colors, and textures through props, accessories, and lighting effects in the posture of a model without movement. You can read the harmony, balance, unity, emphasis, and rhythm of the overall portrait.

  • Company/Studios
    Matilde Simas
  • Date of Photograph
    April 2022
  • Socials
  • Website

The members of the Suri tribe from West Omo Valley of the Southern Nations, Nationalities, and people’s Region in Ethiopia, showcase their intricate floral headpieces, lip plates and breathtaking face paint in these portraits. The ornate body paintwork and head decorations made of flowers are beautiful. The tradition of covering the body with clay probably began to protect them from the sun. The lip plate has a number of meanings. In the tribe, it's a symbol of great beauty.

  • Biography
    Matilde Simas is an advocate and documentary photographer whose work confronts human rights violations, with a focus on gender-based violence, human trafficking, and marginalized communities. Through powerful imagery and ethical storytelling, she amplifies the voices of survivors and brings global attention to often overlooked issues. Her work has helped influence awareness campaigns, inform policy discussions, and support grassroots organizations across Africa, Asia, and the U.S.
  • Awards
    Matilde Simas’s powerful images have earned international recognition, including a Gold Award from the PX3 Prix de la Photographie Paris, honors from the International Photography Awards, and features by the United Nations. She was a keynote speaker at a UNICEF event on child protection and continues to present her work at global photography and human rights forums. Notably, she screened her film on forced marriage at Photo Israel, one of the world’s leading international photography festivals. Her work has been exhibited globally, including at the Museo Nazionale Etrusco di Villa Giulia in Rome, the Kenyan National Archives, and during Paris Photo Week. She is currently touring her documentary film Woman Rising across state houses in the U.S. to ignite critical dialogue and advocate for stronger legislation protecting survivors of human trafficking. The tour began at the Maine State House, where the film contributed to conversations that supported the passage of legislation establishing protocols for law enforcement to better assist survivors. It has since expanded to the Massachusetts State House. Woman Rising has also been screened for the District Attorney’s Office, social service providers, and at film festivals including the Rhode Island International Film Festival, further amplifying its impact as a tool for awareness and systemic reform.

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