Proscenium Landscapes


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Many of our forefathers witnessed new, exotic lands through ships' porthole, our eyes, likewise provide a near-circular lens onto the world, as does the camera’s lens. The landscape above & within the clouds as viewed through the medium of an aircraft’s proscenium porthole provides us with a modern version of the argument, of Plato’s Theory of Forms, rationalist verses Aristotelian empiricist ideas, this time playing with Newton and Einstein's theories of time and dimensions, yet always returning to objectivity versus subjectivity, rationalism versus empiricism.

  • Biography
    “The (English) Lake District, when it is fine, and is at least that, is surely the most beautiful place on Earth". BB - 2015 Who am I to contradict Bill Bryson? So, I moved there in 2015, on the back of his sage advice & bought an art gallery. 1990, a London based postgrad' in photojournalism, working for most of the Nationals (daily papers), then moving into business & representing several photographers in the N London area circa mid 90’s / early 00’s, swapping Yorkshire via Herts for the Lake District National Park. 2022, I now represent 85 artists. And occasionally take pictures.
  • Awards
    To come - I need to compile them. It's not really my strong suit, I do the work & I shoot my own projects, I enter competitions, moving onwards to the next project even before the awards are announced. I appreciate that seems dismissive, it's not, it's anything but, this year alone I have probably spent almost £1500 on entering 4x international photographic competition is, it's just you're always looking in the rearview mirror at what you've already done and then achieved and then been awarded. My emphasis is and has been for four years, my other artists, my art gallery, seeing a 20% increase year-on-year has been a realised passion, my photography has taken something of a secondary importance. Indeed I am probably more engaged with the visual arts, on how to see things and how to articulate and their possible meanings than I ever have been, buying and running in our gallery has probably propelled me forward into an arena I would never have otherwise achieved. But you can't turn off, and it can really drain your energy reserves working every day, 15 hours a day, it's exhausting but also rewarding!

Story

Many of our forefathers witnessed new, exotic lands through ships' porthole, our eyes, likewise provide a near-circular lens onto the world, as does a camera’s lens.

The landscape above & within the clouds as viewed through the medium of an aircraft’s proscenium porthole provides us with a modern version of Plato’s Theory of forms, that things are not as real as they might appear, in opposition Aristotle's own more empirical theories.

Later during the Enlightenment you had a ranging debate between the Rationalists and the Empiricists, Kant attempted to mediate a middle ground, but what, if through an aircrafts’ proscenium porthole we are given a glimpse that takes us to a new concept of the philosophy of things as they are perhaps not in themselves?

Are we witnessing a non-entropic time-line instead, where things do not disappear they simply become inaccessible, a slice of block time, which posits the past hasn't gone, the future is already here, as for Einstein everything that has happened is happening.

At this height, in the clouds, we can theorise ontologically of the nature of time, , Rationalise, but we can't Empirically confirm beyond this aircrafts' portal, not being able to touch these clouds, confirm their existence, yet we may be travelling away from an ongoing event which is neither lost, nor finished, but it is being what is our past, Eternallism?

Would those men and women who crossed the oceans with a sea beneath them have conceived have such experiences in the future? Is it possible through a concept of the Multiverse that they are still travelling, still looking through their own portholes, the landscape of both the physical world and their imagination as we are today, looking out through our own proscenium arch at a landscape of our own reality and imaginations?

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