Shaping his perception of the urban and human landscape of the capital of São Paulo, which is a recurring theme in his photos, Mario claims that he does not change the essence of what happens on the scene, preferring to act as if he were spying through a lock. “I seek to record what I think about life in the other and I seek the other in myself, establishing a connection. At the moment of the click, it's restlessness versus reflection,” he says. Fan of B&W compositions, he claims that he draws with shadow and not with light, and for him, the latter is poetry that becomes a tool for sculpting.