Cost of slavery


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  • Photographer
    K. M. Asad
  • Date of Photograph
    2013
  • Technical Info
    Canon 5D MKII, 35mm Lens
  • Socials
  • Website

K. M. Asad, Bangladesh Born 1983. I am a freelance photographer based in Bangladesh. I have done my photography graduation from Pathshala(The South Asian Media Academy) in 2008, along with my academic graduation. www.kmasad.com Some of my photography achievement: ➢ Pictures of the Year International (POYI) News Picture story - Freelance/Agency – Winner (2013) ➢ Invisible photographer Asia (IPA) Documentary – Winner (2013) ➢ Sony World Photography Awards professional current affair– Shortlist (2014) ➢ Days Japan photo contest 2014 - 2nd price winner

  • Biography
    K M Asad Bangladeshi freelance Documentary photographer and Journalist born 1983. He is present Photojournalist at Zuma Press news agency and contributor photographer at Getty images. Asad protruded as a photographer since 2004 and completed photography ?Graduation? from Pathshala the South Asian Institute of Photography in 2008. His most important work is ?Rohingya Exodus? which is ongoing work. He follows this issue from 2012. More than 9,00,000 Rohingya are refugees, having fled Myanmar to neighboring states, primarily Bangladesh.
  • Awards
    2017-2018, Hamdan International Photography Award "HIPA" ‘The Moment’ Category winner – 1st Place 2018, The NPPA’s Best of Photojournalism 2018 CATEGORY: CONTEMPORARY ISSUES STORY – Honorable Mention 2017, UNICEF photo of the year 2017 _ “Second Place” 2017, Allard Prize for International Integrity – Winner 2017, Shining a Light: Experiences of Refugee Women International Photography Contest exhibition Organized by MUHAMMAD ALI CENTER – Winner. 2017, The Biennial's Grant for Photography organized by the Biennial of Fine Art & Documentary Photography - Runners Up. 2017, “Sente Antu Cup” International Photo Contest by Global Photography – Winner. 2017, Neutral density photography awards professional - Honorable mention. 2017, The lucie awards Deeper perspective photographer of the year organized by International photography awards (IPA) – Honorable Mention 2017, Black and White spider award –“Second Place” 2017, Nikon photo contest winner 2016-2017 – “Third Place” 2016, CBRE UPOTY Urban Photographer of the Year – Asia regional winner 2016, Siena International Photo Awards - Honorable Mention 2016, The 16China International Photographic Art Exhibition (CIPAE) 2016, The 16China International Photographic Art Exhibition (CIPAE) 2015, Kuala Lumpur International photo award – Highly Commended 2015, The “Phodar” Biennial photography competition – Shortlist 2014, Deeper perspective photographer of the year award organized by International photography awards (IPA) – Winner 2014, Best of photojournalism (NPPA) Contemporary issue –”Third Place” 2014, China international press photo contest (CHIPP) Disaster news category –“Second Place” 2014, Days Japan photo contest –“Second Place” 2014, Sony World Photography Awards professional current affair – Shortlist 2014, Professional Photographer of the Year UK –“Second Place” 2014, The Manuel Rivera-Ortiz Foundation for Documentary Photography Grant – Top Finalist

Story

"This building will stand a hundred years," owner boasted just a day before collapse. The next morning, it came down."Aha re," the people shook their heads and asked sympathetically So sad."Shoitaner shoitan," they cursed the owner of the building. The devil's devil. The number of dead bodies crossed thousand so fast. Thousands of mourners have gathered at the ruins of a garment factory building (rana plaza at savar) to offer prayers for the souls of the 1,127 people who died in the structure's collapse 24th april, the worst tragedy in the history of the global garment industry. It came months after a fire at another garment factory in Bangladesh in November killed 112 workers. These two are mentionable, time before also couple of accidents happened and many lost their close ones in that tragedy. Savar tragedy is a symbol of our failure as a nation. The crack in Rana Plaza that caused the collapse of the building has only shown us that if we don't face up to the cracks in our state systems, that we as a nation will get lost in the debris of the collapse. Bangladesh’s government also agreed to allow garment workers to form unions without permission from factory owners. That decision came a day after it announced a plan to raise the minimum wage in the industry. Many Western companies [clarification needed], which have activities in Bangladesh, have engaged in significant public relations campaigns to minimize the fallout from revelations about their worker's inhumane conditions. Dozens of consumers in the US spoke out against unsafe working conditions found in the factory building. People also unleashed their anger at retailers that did not have any connections to that specific building, but are known to source from factories located in Bangladesh.
Cheap labours, quantity of labourer are blessings for our garment sector. But this blessing turned into curse when all those innocent workers have to sacrifice their lives under poor labour law, unhealthy security system, and negligence of their owner. Moreover the government itself. The "Made in Bangladesh" tag has now changed in meaning. It costs bloods to tag a price on those products made by our worker.
It is high time authority took any revolutionary step for the sake of the neglected garment workers. Thousands of garment workers had died. The last breath of those souls surrounds us. Did we learn anything at all from these terrible massacres? Or will we have completed our duty by merely expressing our deep sympathy.

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