With the project Stenipnotica I tried to represent a generation incapable of imagining the future, mesmerized by the memories and emotionally caged in the world of childhood. In short, a generation suspended. The pinhole technique has proven to be the most functional to the intent of expression. The series consists of triptychs of photos encased in a frame from super 8 film, as if they were frames from a movie. A sequence in a sense "impossible" given the long exposure times typical of photography but not movies, and yet possible in the world of dreams and memories. Both reconstructions only, after all.
